laser-etched woodcut print on Fabriano paper

oiled paper, thread, inkjet print on cotton organdie 35x15x15cm

double-sided print, inkjet print on cotton organdie 20x12x10cm

Eleanor uses images of landscape to explore memory, temporality and our connection to the environment. She translates these images through different printmaking processes as a way of capturing and preserving memories and navigating and containing unruly emotions; crystallising the fleeting, intangible and digital into something tangible, tactile and lasting. Her pieces in this exhibition consider the different ways an idea, intention or piece of information are communicated and understood, reflecting on dichotomies of scale and impact and the ways our own interests and assumptions affect our perception.  Shown at Copeland Gallery, London in June 2024 as part of and you would have to believe it by Critical Edge Collective.

  • Ceramic sculpture resembling a tree trunk on a small white display stand, accompanied by tangled fabric or paper on a taller stand against a plain white wall.
  • A crumpled piece of paper with black and white printed text and an inner pinkish color, viewed from above with a white surface in the background.
  • Close-up of a cylindrical object with black and white abstract patterns, placed on a white surface, with a background of a textured, reddish-brown floor and metal frame.
  • Two tall white display pedestals with minimalist frames, one shorter and one taller, each topped with a decorative object. The shorter pedestal holds a cylindrical object with a marbled gray and white pattern. The taller pedestal supports an abstract sculpture with a crumpled, textured appearance, featuring black, white, and pink colors. The background is a plain white wall, and the floor is a rough, reddish-brown concrete surface.